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LINGUA ARCANA (2023)





The tracks from this album were evolving and morphing from 2020 to 2022, having started out as experiments during my MA in Composition and Creative Music Practice, up to the 1st year of my Arts Practice PhD at the Irish World Academy of Music and Dance (Limerick, Ireland). Lingua Arcana is a continuation of my exploration of the sound of human language (existing and invented), as a tool for creating non-physical spaces, images, entities and narratives. In an attempt to push the limits of language and uncover its other, "beyond-mundane" properties and possibilities, Lingua Arcana embraces all the happy coincidences and "anomalies" that arose during these explorations.

You can buy the album on Bandcamp (with properly sorted tracklist - the one here on the website is misbehaving for some reason): https://kemmmer.bandcamp.com/album/lingua-arcana

Tracklist:

1 The Death Of Don Quixote
2 Wa-Hɐ Wa-Hə
3 Baběl Nuui
4 Nå-Å-ha Wí
5 The Subtle From The Gross Sweetly
6 Lament Interference
7 The Ritual
8 Quantum Uprising
9 You Shall Have A Son And Recording Conditions
10 I Am The Oar And I Am The Sea

Voices/lyrics on Track 9: Cathy Purcell, Celsey McFadden, Daniel Ryan, Eileen McLoughlin, Karina Moore, and Kemmer.
Bodhrán on Track 3: Kemmer.
Violin on Track 10: Kemmer.
Lyrics on Track 5: an excerpt from The Emerald Tablet, translated by Isaac Newton.
All lyrics and vocals (except on Tracks 9 and 5): Kemmer.
​All tracks conceived, recorded, produced/mixed by Kemmer.





the ritual (2021)





“The Ritual“ has 3 components, which could be regarded as separate units, but are also interconnected: graphic (a painting - see above), video (see above) and sonic component (an audio track, which ended on Lingua Arcana - scroll up the page to listen, Track 7). These components are not meant to complement or translate to each other, but to be experienced separately, even though you can try that too, and see what you'll discover.


The painting depicts objects picked randomly from various aspects of everyday life (some well-known, some a bit enigmatic and/or not so well-known). These objects are depicted in a random order, without any context (apart from a barely visible grid and obfuscated numbers and symbols), apart from the title of the painting itself (“The Ritual“), which is to assign a new purpose to these objects and give them a new meaning - even though we don’t know what that purpose/meaning is. The point is not to look for one either, but to understand what it may be without intellectualizing, analyzing, (consciously) knowing or thinking about it. On the other hand, when we look at it like this, as a component of a mysterious ritual, every object, no matter how insignificant or banal it may seem, can attain a secret, sacred, deeper meaning - we just need to look at it differently.


The video depicts a ritual-like activity, deliberately shot in the dark, with minimal lighting, so that the objects used in the “ritual“ are as obscure as possible. The movements/physical activity in the “ritual“ lack any explanation/context as well, and the video contains no sound either, in order to obfuscate the whole “ritual“ even further. The purpose here, again, is to prevent the viewer from looking for any specific meaning consciously. We don’t need to see 100% clearly and know/grasp consciously exactly what’s happening in the video, nor do we need to fill in the gaps and construct a meaning ourselves when we’re offered none, but rather let go and soak it in by falling into a mental/spiritual state in which understanding precedes any conscious thinking and/or rationalizing.


The audio track contains everyday sounds one makes as they go about ordinary daily activities in their home, soaked in high amounts of reverb, so as to obfuscate what's really going on (and where), and give the sounds a different, ethereal, mysterious quality. Due to the lack of a visual component, the listener is left to their own devices and can only assume the nature of this enigmatic “ritual“ and its components, but that, of course, is not the point: the listener should give up any search for meaning of the sounds or the “ritual“ as a whole, but surrender and let the meaning come to themselves without trying to construct it by any means.





Sleep song (chirps of the exosphere) (2023)





I was so happy to learn that my piece Sleep Song (Chirps Of The Exosphere) got selected for the highlights album for Music For Sleep, a project by Cities And Memory, a global sound archiving and remixing platform!
Music For Sleep is Cities And Memory's latest undertaking, in which artists and field recordists from all over the world collaborated to create a massive online collection of compositions designed to help you attain peace, tranquillity and get some good sleep. This project encompasses more than 280 compositions and field recordings from 41 countries, showcasing a diverse range of artistic styles. The compositions include parts of the original field recordings that the composers were each assigned. Inspired and moved by the assigned recordings in various ways, we reimagined the captured sounds to create our pieces.
You can learn more about the project and listen to the pieces here: https://citiesandmemory.com/music-for-sleep/
​And here's the highlights album: https://citiesandmemory.bandcamp.com/album/music-for-sleep


I got to work with the sounds captured at Rumassala Sanctuary in Sri Lanka. I was enchanted by how bustling the jungle beach actually is - it is absolutely packed with sounds. I was especially drawn to the tweets and chirps of the birds and insects, which inspired me to record a simple, peaceful, lullaby-like song. I don’t know what time of day it was when these sounds were captured, but I imagined it was night - hence the idea for a lullaby. The lyrics were inspired by one of the singers I admire, the late Chuck Mosley; I imagined singing a farewell lullaby to him, far beyond our Earthly realm, joined by a choir of birds and insects whose voices are filtered by the many layers of the Earth’s atmosphere.





SEANCHROÍ EP (2021)



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